By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic. RED STOCKINGS is a demonstration of the power of a single frame of photographic imagery. Except for one frame, the entire three-minute film is a continuous, uniform red which creates a variety of afterimages and other optical illusions. When the lone frame flashes by halfway through the film, the... see more