In Novel City, Thornton revisits her 1983 film Adynata, which explored questions of the Other through what Thornton has termed an "Orientalist spectacle" that was "intended to bring about a critical self-response, a simultaneous attraction and repulsion that provoke an instance of cultural self-awareness." In her new work, Thornton confronts the economic and cultural transformation of contemporary China, evoking a new spectacle of capitalism run amok. Thornton shoots from her... see more