In the midst of a personal and work crisis, I begin to film everything obsessively: my parents, grandparents, children, friends and lovers, but also myself and psychotherapy. Some footage is consensual, some is “stolen.” This way my personal-intimate becomes narrative: the recent separation, the pain of my children’s being apart, my parents’ separation, my inadequacy as a mother. But in this autobiographical process of “coming out” I inevitably clash with
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