Alia Farid’s recent work examines how nature in southern Iraq has, since the advent of modernity, been mobilised as a political tool. Her new film Chibayish was recorded in the marshlands of southern Iraq, at the confluence of the Tigris and Euphrates rivers, in a region engulfed by oil infrastructure and industrial waste. It captures the artist’s exchanges with three young residents as they map the community that inhabits the
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