Writer/director Fatma Belkıs reclaims the filmic artifacts of Turkish discrimination against Kurds in the singular micro short, Keje. Belkis picks up cuttingroom-floor remains from the 1968 film, Seyyit Han, a film that managed distribution approval by the Turkish Committee on Film Censorship only after producer, Abdurrahman Keskiner, excised every single utterance of the leading female character’s name, “Keje”—because it was a Kurdish name. This rejection of a Kurdish name was... see more