In a room of the Cineteca di Milano, Giancarlo Consonni and Graziella Tonon observe old films that have just been digitized: they tell of the life and projects of the architect, urban planner, painter and photographer Piero Bottoni. The film follows the couple's research among the materials stored both in the film library and above all in the archive. They tell of a multifaceted and socially committed artist, who has
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