After 'Communicating Vessels' (FID 2020), the artist-filmmaker duo Annie McDonell and Maïder Fortuné are back. Once again, the question is that of art, its teaching, the painful articulation between thought, practice and the living shell that embraces and brings it to life. An affair as ancient as the first Romantic period, its complexity fully intact, the challenge here is multiplied by the study of an extremely singular and insufficiently known
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