Once again, this Armenian Canadian filmmaker proves that she is the world’s best alchemist of handmade abstract film, this time taking on the aesthetic of her contemporaries, Mike and Doug Starn. A natural homage and collabora­tion, in that Torossian's own darkroom tech­niques of decaying and obliterating the surface of film echo the Starns’ approach to photogra­phy in deterioration. Drowning In Flames is a spectacularly mesmerising non-stop express train of images... see more