With Torque Björn Kämmerer continues his recent cinematic investigations into the intersection of abstraction and representation, geometry and motion. For Torque, Kämmerer has left domestic architecture behind, taking the camera out of doors to shoot on location. The film consists of a single continuous tracking shot across a series of converging railway tracks. The cinemascope image is subtly modulated by the gradual upward tilt of the camera slowly revealing a
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