The first installment in a trilogy of film essays, Hydra Decapita uses the imaginary world in the concept albums of Detroit based techno duo Drexciya to comment on globalisation, capitalism and climate change. ‘Drexciya’ is an underwater country populated by the unborn children of pregnant women thrown overboard during the middle-passage of slave ships across the Atlantic. In this world a new species has evolved through the children who survived,
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