Reminiscent of the ‘trance films’ of Maya Deren or Kenneth Anger, The Magic Circle unfolds in a timeless dusk where an archetypal sorceress ritualistically navigates magical circles. A double figure executing doubled gestures, the circles she engages with are also double: the protective circle of sand or fire surrounding the enchantress and the circle of the self-reflected through circular mirrors. Within the Magic Circle is the self, a place of
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