The director transferred three pieces of the great composer to the screen, each with a different stylistic setting: the romantic nocturne was illustrated with images of nature; the exuberant Mazurka F minor, with a folk dance performed by Russian Ballet artists. The most interesting conception of the Revolutionary Etude had elements of abstract interplay of shapes and lights interspersed with takes of explosions, shouting faces distorted with a grimace, planes,... see more