The three resultant films (London, Berlin and Morley College) make poetic use of the camera to evoke the passage of time across space. In the domestic environ of London, shafts of sunlight alternatively obscure and illuminate a simple still life view of a kitchen sideboard and shelves, caught in bursts of real time. Filmed over a day, the culinary tableau of plates, mugs and bowls disappear from the frame, piece
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