Exploring both dance and some of the properties of film, ‘Mantra’ begins by recreating movement through a rhythmic series of still images. A woman dances, via these still images, to music by Stockhausen, her image filling the screen, her performance evoked through the use of jump-cuts. Breaking in on this is an animated sequence which describes women and childbirth. This experimental film eventually moves into live action, showing the dancer’s... see more